On this night, the sequence started what may have been the strongest set of the tour, leading to an expert showing by the tricky trio of “Help on the Way,” “Slipknot!” and “Franklin’s Tower,” a fantastic “Drums” and “Space” interlude that featured a glance at Miles Davis’ “Milestones,” then a righteous rendition of Bob Dylan’s “All Along the Watchtower.” Fantasy” segued into the “na na na na” epilogue of the Beatles’ “Hey Jude.”Ī frequent showcase for the impassioned vocals of late Dead keyboardist Brent Mydland, the “Fantasy” and “Jude” sequence first appeared at the Dodger Stadium tour opener, but by the time it opened the second set of the band’s second night in Boulder, it was rock-solid.ĭead and Company shows are often communal affairs, the band and audience joining together to celebrate the Grateful Dead’s legacy, and few things get a crowd singing along like the crescendo of “Hey Jude.” In what turned out to be one of the biggest crowd-pleasers of the summer, Dead and Company took a page out of the Grateful Dead’s 1980s playbook for the rapturous classic rock extravaganza that is Traffic’s “Dear Mr. Fantasy” > “Hey Jude (Reprise),” June 18 at Folsom Field, Boulder, Colorado Pairing the ultimate sonic spacecraft with a ditty fresh off the dusty trail will never not be wonderful, the musical equivalent of a “Star Trek” episode where Kirk and company pause their odyssey to visit an Old West-themed planet before once again taking to the stars. The structure was similar to that deployed by the Grateful Dead at Woodstock in 1969 - where Haggard’s “Mama Tried” gave way to “Dark Star.” It was Kreutzmann and Hart’s first time playing the Haggard tune since the early 1970s, and it was wonderfully delicate. Then, in the midst of all of the exploration, there was revelation: “El Paso,” the Marty Robbins country and western chestnut that’s lived in Weir’s wheelhouse since 1970, gave way to Dead and Company’s debut performance of Merle Haggard’s tender “Sing Me Back Home.”
“Dark Star,” the Dead’s landmark opus, was taken out for a contemplative, cosmic spin, one that seemed to bring the night sky a little closer to the ground at Shoreline. “Sing Me Back Home,” June 13 at Shoreline Amphitheatre, Mountain View, California Thank you for visiting.By separating the longtime companions via another hallowed Dead tandem - “China Cat Sunflower” and the traditional “I Know You, Rider” - on the tour’s opening night, the band was making it clear from the jump that it would be far from business as usual out on the road this summer. We also offer consultation for performance anxiety, band discord, writing blocks, self-criticism, recording issues, or whatever is impeding your creativity and productivity. Over time, we hope that many musicians will find a good home here. If you’re here as a musician, we invite you to record with us and/or feature your own music right here on the Magiscope Records Guest Bands page.
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If you have recorded a cover that you would like to add to this collection, feel free to send it in to us.
I ♥ NY is an ever-growing compilation of Neil Young songs interpreted by the collective. ‘Hi-Res Music is Better’ bumper stickers should be issued. If you’re on the go or your bandwidth is inconsistent, you will always get the highest possible fidelity, millisecond by millisecond, ranging from lossless high-res down to what you are used to hearing when you stream music from all the usual places.įYI, the truly wondrous Neil Young Archives (NYA) is fully powered by OraStream.
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When you listen to EVERYTHING’S OK with solid data bandwidth, OraStream delivers the music in soul-touching full resolution. We are excited to release our latest album, EVERYTHING'S OK via OraStream, the only adaptive high-resolution audio streaming technology out there. Three bands have emerged from this collective: Through the years, we have gotten together almost every week to create our music - much of which you can freely access here at the Magiscope Records website. Our San Jose, California studio is home base where we play, record, mix, and hang out.
Magiscope Records is a working collective with various musical ties that go back close to 30 years.
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